First written in 1892, Frank Vedekind’s Spring Awakening remains as relevant today as it was 134 years ago. Awakening, Daniel Lammin’s startling Australian adaptation, brings that relevance crashing into the 21st Century.
Good Time Theatric's first production of this show was heralded as “haunting” (Theatre Haus) and as a production that “assaulted the senses” (Stage Whispers).
“Live fast, die young, fuck the system.”
AWAKENING
Supported by: Special Guest
- Others:
- Arts - Theatre